An album where blues emotion, jazz harmony, gospel warmth, and R&B groove meet in a late-night, human, intimate sound. A night-time record balancing improvisation and pocket, moving between raw feeling and refined harmony. Music rooted in the blues, expanded through jazz language, carried by soul and R&B pulse. A modern record built on tradition, focused on feel, space, and connection rather than genre boundaries.

Confessions to a C Minor is a solo piano blues album made entirely of improvisations—raw, immediate, and unedited in spirit. Rather than following a fixed twelve-bar blueprint, each piece breathes freely, shaped by touch, timing, and the moment’s mood. The language is unmistakably blues, with the pentatonic scale as the backbone and the blues scale supplying the grit—bent color tones, aching turns, and those notes that feel like a voice catching mid-sentence. It’s music that moves like a confession: spontaneous, honest, sometimes fragile, sometimes fierce—always alive.